Linkin Park Heading to Jakarta
Linkin Park will be playing at Stadion Utama GBK in Jakarta, Indonesia on September 21.
LPUX ANNUAL MEMBERS TO RECEIVE PACKAGE, NO SHIPPING FEES
The LP Underground is thrilled to announce an exclusive LPU merchandise package will be a part of the $60 Annual membership offer, inclusive of all shipping/handling fees.
Introducing The Linkin Park Association Wiki
After nearly a month of hard work, and brainstorming between The Linkin Park Association and the Linkin Park fan community.
Sunday, October 30, 2011
Wednesday, October 26, 2011
Mike Shinoda at the Billboard Film & TV Conference
Mike Shinoda recently attended the Billboard Film & TV Conference
that ran from 24-25 October in Los Angeles, CA to discuss his ongoing
work on the soundtrack for the movie he's scoring - The Raid. During the
event Mike took part in interviews and panels to shed some light on the
project which you can check out below.
Video Q&A with Mike Shinoda on Scoring The Raid:
Linkin Park songwriter, multi-instrumentalist and rapper, Mike Shinoda sat down with Billboard senior correspondent Phil Gallo at the Billboard and Hollywood Reporter Film & TV Music Conference to answer questions about his experiences in creating music with his band versus composing music for films. The trained-musician is currently writing and recording music for his first feature film "The Raid," directed by Gareth Evan and slated for an early-2012 release.
In the video below Shinoda explains why he chose to work with Joe Trapanese (he worked on the "Tron: Legacy" score with Daft Punk); how art school critiques helped him with the collaborative process (and helped him to lose his ego); and how studying piano since the age of three has come to help in scoring films.
Mike Shinoda on the “Out of the Band and Onto the Screen” Panel:
Examiner.com have an article describing the Out of the Band and Onto the Screen panel which Mike was involved with alongside Robert Kraft, Curt Smith, Cliff Martinez, Peter Himmelman and Joe Trapanese who is co-composing The Raid with Mike. Read an excerpt, check out the full article and watch some video of the panel below.
"...Another question had to do with the editing process: How do you decide which pieces to keep and which ones to cut? Mike Shinoda answered that question with an anecdote from when he was in school at the Art Center in Pasadena. He stated, “Our experience at the school was we would go in with say a painting and the class which was about thirty of us would each put our pieces up on the board and basically tell each other why our paintings were horrible for hours and over the course of years of doing that you get good at it. You get really good at being able to take criticism and give criticism and leaving your ego at the door and being productive. If you’re working with people who are just not interested I guess it’s a much bigger issue but as long as you’re all on the same team you can have those kinds of conversations where you can say to somebody ‘look, I’m going to let these other things go—I really believe in this one’ then people will be a little more receptive” to which Robert Kraft replied, “you have a big future as a film composer with that attitude because that is the essence of it.” Mike responded, “that’s how our band works. We’ve got six guys doing that. Every Monday we get together with our records. That’s the reason why it takes us over a year to make a record is that we’re killing ideas one right after the other and building up new ones… even one guy in our group doesn’t like it for some reason or another we’re going to get in there and figure out what is it about it that he’s not into and we’re going to respect that even if he cant write the piece that we’re talking about—even if he cant write the vocal or he cant write whatever his opinion is potentially one sixth of our fan base so we’re going to respect that and try and make it work.”
ArtistDirect Interview with Mike Shinoda:
Mike conducted an interview with ArtistDirect discussing The Raid, Music For Relief and future Linkin Park music. If you're yet to read it you can check it out below.
Video Q&A with Mike Shinoda on Scoring The Raid:
Linkin Park songwriter, multi-instrumentalist and rapper, Mike Shinoda sat down with Billboard senior correspondent Phil Gallo at the Billboard and Hollywood Reporter Film & TV Music Conference to answer questions about his experiences in creating music with his band versus composing music for films. The trained-musician is currently writing and recording music for his first feature film "The Raid," directed by Gareth Evan and slated for an early-2012 release.
In the video below Shinoda explains why he chose to work with Joe Trapanese (he worked on the "Tron: Legacy" score with Daft Punk); how art school critiques helped him with the collaborative process (and helped him to lose his ego); and how studying piano since the age of three has come to help in scoring films.
Mike Shinoda on the “Out of the Band and Onto the Screen” Panel:
Examiner.com have an article describing the Out of the Band and Onto the Screen panel which Mike was involved with alongside Robert Kraft, Curt Smith, Cliff Martinez, Peter Himmelman and Joe Trapanese who is co-composing The Raid with Mike. Read an excerpt, check out the full article and watch some video of the panel below.
"...Another question had to do with the editing process: How do you decide which pieces to keep and which ones to cut? Mike Shinoda answered that question with an anecdote from when he was in school at the Art Center in Pasadena. He stated, “Our experience at the school was we would go in with say a painting and the class which was about thirty of us would each put our pieces up on the board and basically tell each other why our paintings were horrible for hours and over the course of years of doing that you get good at it. You get really good at being able to take criticism and give criticism and leaving your ego at the door and being productive. If you’re working with people who are just not interested I guess it’s a much bigger issue but as long as you’re all on the same team you can have those kinds of conversations where you can say to somebody ‘look, I’m going to let these other things go—I really believe in this one’ then people will be a little more receptive” to which Robert Kraft replied, “you have a big future as a film composer with that attitude because that is the essence of it.” Mike responded, “that’s how our band works. We’ve got six guys doing that. Every Monday we get together with our records. That’s the reason why it takes us over a year to make a record is that we’re killing ideas one right after the other and building up new ones… even one guy in our group doesn’t like it for some reason or another we’re going to get in there and figure out what is it about it that he’s not into and we’re going to respect that even if he cant write the piece that we’re talking about—even if he cant write the vocal or he cant write whatever his opinion is potentially one sixth of our fan base so we’re going to respect that and try and make it work.”
Read the Full Article at Examiner - HERE
Watch Video of the Panel courtesy of tubeyoucaliron - HERE
Watch Video of the Panel courtesy of tubeyoucaliron - HERE
ArtistDirect Interview with Mike Shinoda:
Mike conducted an interview with ArtistDirect discussing The Raid, Music For Relief and future Linkin Park music. If you're yet to read it you can check it out below.
Source : LPAssosiation
Saturday, October 22, 2011
The Raid: Film Score Update
The score for The Raid
is steadily moving along. In between Linkin Park studio sessions–which
are also underway–I’m working on the feature-length score for this
brutal Indonesian action movie. With a good chunk of the movie now
sounding good, and a lot of great hype and reviews coming from folks who
have gotten a chance to see the film, I’m excited to tell you a little
more about it.
Writing big, nasty parts for a fast-paced action scene have come pretty naturally for me. There are lots of moments with big beats and unique, exciting sounds. But one thing I’ve found that’s different in writing for film (versus an album) is being aware of how and when to make the music transparent. The music needs to be invisible at times. Writing a Linkin Park song is usually about our personal stories, not someone else’s. And an LP song is designed to draw you in, to catch your ear with words, melodies, and sounds. Often, the techniques I might use to create a catchy sound or “hook” would actually take away from a scene in The Raid, so it’s been a fun challenge to learn when and how to let the movie’s story come first.
I also enlisted the help of Joe Trapanese, best know for his work with Daft Punk on the TRON score and soundtrack. Joe also did strings on the newest M83 album, “Hurry Up, We’re Dreaming.” Joe comes from a composing / arranging / film background, and we’re finding great ways to inform and compliment one anothers’ work in the music for this movie.
Here’s a cool (fan-made?) video for Joe’s favorite track he worked on, from M83′s new album, a song called “Wait”
M83 - Wait from Boris Winter on Vimeo.
Source : Mike Shinoda's Blog
Writing big, nasty parts for a fast-paced action scene have come pretty naturally for me. There are lots of moments with big beats and unique, exciting sounds. But one thing I’ve found that’s different in writing for film (versus an album) is being aware of how and when to make the music transparent. The music needs to be invisible at times. Writing a Linkin Park song is usually about our personal stories, not someone else’s. And an LP song is designed to draw you in, to catch your ear with words, melodies, and sounds. Often, the techniques I might use to create a catchy sound or “hook” would actually take away from a scene in The Raid, so it’s been a fun challenge to learn when and how to let the movie’s story come first.
I also enlisted the help of Joe Trapanese, best know for his work with Daft Punk on the TRON score and soundtrack. Joe also did strings on the newest M83 album, “Hurry Up, We’re Dreaming.” Joe comes from a composing / arranging / film background, and we’re finding great ways to inform and compliment one anothers’ work in the music for this movie.
Here’s a cool (fan-made?) video for Joe’s favorite track he worked on, from M83′s new album, a song called “Wait”
M83 - Wait from Boris Winter on Vimeo.
Source : Mike Shinoda's Blog
Thursday, October 20, 2011
Wednesday, October 5, 2011
LINKIN PARK WITHDRAW FROM DELUNA FEST
We regret that we must withdraw from our October 16 performance at DeLuna Fest in Pensacola, FL. As much as we were looking forward to rocking our final date of the year with our Florida fans, Chester has been advised to have immediate shoulder surgery as a result of an injury he sustained during our recent tour in Asia.
We are sorry for any disappointment this has caused and look forward to seeing you again soon.
Refunds for Sunday, single day tickets available at point of purchase: info@delunafest.com
If you would like a refund on single day or 3-day GA passes purchased directly from LinkinPark.com via TopSpin, please click HERE and fill out the necessary support form before October 10, 2011.
-Chester, Rob, Brad, Phoenix, Joe and Mike
We are sorry for any disappointment this has caused and look forward to seeing you again soon.
Refunds for Sunday, single day tickets available at point of purchase: info@delunafest.com
If you would like a refund on single day or 3-day GA passes purchased directly from LinkinPark.com via TopSpin, please click HERE and fill out the necessary support form before October 10, 2011.
-Chester, Rob, Brad, Phoenix, Joe and Mike
Source : Linkin Park